Similar to other websites, our site may utilize a standard technology called "cookies" (see explanation below, "What Are Cookies?") and web server logs to collect information about how our website is used. We provide the same protections for these electronic communications that we employ in the maintenance of information received by mail and telephone. If you choose to correspond with us through email, we may retain the content of your email messages together with your email address and our responses. We may request that you voluntarily supply us with personal information, including your email address, postal address, home or work telephone number and other personal information for such purposes as correspondence, placing an order, requesting an estimate, or participating in online surveys. Personal Information You Choose to Provide.When you visit our website you may provide us with two types of information: personal information you knowingly choose to disclose that is collected on an individual basis and website use information collected on an aggregate basis as you and others browse our website. Join our mailing list to receive our newsletter and get updates on our upcoming shows, events, and policies! Masks are recommended for those at-risk for severe disease or those with underlying medical conditions, as well as individuals not up to date on their vaccinations. Theatre In The Park supports the continued use of masks by all who wish to use them. Masks are no longer required by City of Raleigh mandate Theatre In The Park is no longer requiring proof of vaccination or a negative COVID test for entry to our shows. All roles will be assigned at a later date. Please email Brent Simpson at to accept your place in the cast. A stone-and-wood arbor lies to the north of the rose garden, and hundreds of evergreen and deciduous trees surround the theater and garden.The following people have been cast in A Christmas Carol 2022. Following the footprint of the former racetrack, the rose beds are arranged in a deep semi-circle, centered around a fountain at the curved northern end. Beyond the trees, what was originally designed as a lawn became a 60-bed rose garden in 1957, designed by Edwin Thurlow, founder of the landscape architecture program at the NCSU College of Design. Single-story stone buildings bracket the stage, and evergreen trees line its perimeter, acting as a set backdrop. At the base of the amphitheater, a sunken orchestra pit sits before a raised wooden stage, also faced with ashlar stonework. The semi-circular terraced seating is composed of randomized ashlar stone risers with concrete copings, among grass aisles. Landscape architect Rubee Pearse used the landscape’s natural depression to create the outdoor amphitheater. In 1938 the Works Progress Administration proposed a community theater. The neighborhood named Fairmont (now the West Raleigh Historic District) developed post-World War II however, the fair ground’s sloping topography ultimately encouraged the city to consider non-residential uses for the landscape. In the mid-1920s, the property was sold to the City of Raleigh as part of a larger tract slated for development as a trolley-car suburb. Situated to the north of the North Carolina State University campus, this 6.5-acre rose garden and indoor-outdoor theater complex is sited on the original 1873-1925 North Carolina State Fair Grounds, which was also used as a military training camp during World War I and was briefly developed as a racetrack.
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